Since its official release on November 10, When the Lights Go Out has been making its way around Buffalo and elsewhere.
It's been at bars, bookstores and the Buffalo History Museum. It's been with book clubs and under Christmas trees. And thankfully, it's found plenty of readers, ones that have been able to relate to the story and its characters.
Yes, the novel's about music and its meaning, but it's also about love, family and the ability to wade through tragedy in order to find some sort of purpose. Many have recognized this, and as the book's author, I can't thank you enough for spending any amount of time to enjoy my second novel.
If you haven't read it yet, good news: it's a book, and it's not going away any time soon. It'll be around, whether in Buffalo bookstores like Talking Leaves and Dog Ears; in paperback and Kindle form on Amazon; in under-scanned areas of the Web like IndieBound; or with the publisher at No Frills/Amelia. And since we're all still enduring winter as we wait for St. Patrick's Day, there's plenty of time and opportunity to fall into a comfortable chair and read this work.
If interested please check it out. And if you'd like to find out more, check out the below press coverage for details.
The Buffalo News
Buffalo Rising
Buffalo Scoop
Hamburg Sun
The Public
SUNY Buffalo State's Record
WGRZ
Until next time, thanks for reading, and take care.
(Author's note: This update was typed while listening to Basia Bulat's "La La Lie.")
This is the website for author, reporter and general writing enthusiast, Michael Farrell. In this space, Farrell features educated ramblings on topics such as sports, music, barroom adventure, and his return to the mean streets of western New York. He may also mention things about his novels "Running with Buffalo" or the recently released "When the Lights Go Out." Thanks for stopping by, and enjoy your scroll.
Tuesday, February 16, 2016
Tuesday, November 24, 2015
Local author and musician team for novel release event at Buffalo’s Mohawk Place on December 4
![]() |
| Author Michael Farrell |
Buffalo author Michael Farrell will
join local singer/songwriter Sara Elizabeth for a Happy Hour event to celebrate
the recent release of Farrell’s new novel, When
the Lights Go Out inside Buffalo’s Mohawk Place (47 E. Mohawk St.) on
December 4 from 5 to 8 p.m.
Farrell’s Buffalo-set novel—which
tells the story of a barroom guitarist and his journey from rock clubs to
familial crisis and rediscovery of music’s revelatory meaning—was officially
released by No Frills/Amelia on November 10. But in collaborating with Elizabeth’s
performance (from 6 to 8 p.m.), Farrell will sign and sell books inside a
reverberating environment which typifies the backdrop of his newest work.
“Many of this novel’s most critical
scenes happen in rock clubs just like Mohawk,” said Farrell, whose first novel,
Running with Buffalo, was released in
2007. “To have its release event there aside the music of Sara Elizabeth is
going to be special.”
Born in Buffalo and raised in
Hamburg, Michael Farrell is a graduate of St. Bonaventure University and earned
an MFA in Creative Writing from Pine Manor College’s Solstice Program. His work
has regularly appeared in numerous publications, including The Buffalo News, Buffalo Spree and The Boston Herald.
More about Farrell and his writing can be found on his website at
farrellstreet.com.
![]() |
| Singer/songwriter Sara Elizabeth |
Sara Elizabeth is a
singer/songwriter, musician, storyteller, and multi-instrumentalist based in
Western New York. A 2012 graduate of the University at Buffalo's Department of
Music, Elizabeth’s musical influences range from The Beatles to Ingrid
Michaelson and The Avett Brothers. According to Sara, she takes “the heart of
folk music, the soul of the blues, the brain of classical, and the energy of
modern indie rock and uses them to tell stories no one has ever heard before.”
This is evident in her trio of original releases, including 2014’s "Be
Well.”
Books published by No Frills Buffalo
can be purchased online at www.amazon.com, www.powells.com,
www.barnesandnoble.com, www.ECKO.com and www.nofrillsbuffalo.com. No Frills
Buffalo titles can also be found in Western New York bookstores, including
Talking Leaves; Dog Ears Bookstore; The Second Reader; Monkey See, Monkey Do;
Lift Bridge Books in Brockport; and Buffalo Street Books in Ithaca.
Wednesday, November 4, 2015
Home (Revisited)
(Author's note #1: With my second novel finally finding the light of day over the next week, figured I should re-post the following, which I wrote three years ago for my graduate school's nationally distributed newsletter. It discusses my relationship with Buffalo and the need to write about it, both pertinent as my Queen City-set When the Lights Go Out starts to find its way to the public. Enjoy.)
I saw the streets all ripe with jewels
Balconies and the laundry lines
They tried to make me welcome there
But their streets did not feel like mine
So long, I’m goin’, goin’ home
-Dan Auerbach, “Goin’ Home”
One’s connection to home can be like one’s connection to family. At its best, home is a wonderful thing. It is the one place that feels like yours, the place you’re truly attached to. At its worst, home is a suffocating beast, full of frustration and timeless annoyances. I somehow overlooked the enduring duality of this relationship while living elsewhere. Now back on my hometown streets of Buffalo, New York as a returned resident, I’m surrounded by the daily complications of this association.
Buffalo has been both haven and harrowing for most of my life. It’s the city that hosted my birth, my Christmas mornings and high school basketball games. It gave me friends I’ve kept since preschool, girls I kissed in elementary school. It instilled the competitive grit I’ve used to tough through professional obstacles and rejection. And it infected me with the underdog mentality that western New Yorkers are born with. Every Buffalo kid grows up with a chip on the shoulder, earned from condescending New York City scowls and southern state insults—the ones about snow and rust, urban blight and Super Bowl losses. I’m from a city that no one understands, compliments or respects. This has bred intense loyalty, one that’s ignited arguments with ignorant strangers and Florida waiters. It’s been an inconvenient loyalty, but it’s always been considered necessary. This is my hometown, to defend and support. In good times and bad.
Unfortunately, the whole defend-and-support thing isn’t always reciprocal. Home can agitate, frustrate and torment. It can be like a Springsteen song, but not in a good way. No matter how your beliefs, attitudes and aptitudes have progressed, home drags behind. No matter how many positive memories you’ve generated away from it, home can rekindle the painful moments you’ve forever tried to shake. No matter how many out-of-town successes you’ve experienced, home can preserve your failures for family dinners, Friday night socials and supermarket reunions. Buffalo is where my mother wants me to become a teacher, where my father thinks I should become a salesman. And it will forever be where my high school English teacher said, if he had one piece of advice for me, it was to never pursue a career in English.
But it will also remain the chief source of my artistic inspiration, just as it has for my entire writing life.
I lived in Boston for eleven years; I worked inside Manhattan’s Rockefeller Center for a summer. I once fell asleep in Spain and woke up in France. I’ve been to Ireland twice, Italy, Iceland and Scotland once, and to nearly every major American city for more than a weekend. I’ve never felt compelled to write about those places the way I do about Buffalo. It’s forever been an underutilized backdrop, full of faded glory amid glimmers of progress and waterfront panoramas; it’s loaded with complex characters striving for genuine salvation in the shadows of economic stall. Its story has surrounded my own story, and continues to affect me with its successes and failures. Some days, I smile at nineteenth-century buildings being refurbished by flanneled laborers; other days, I seethe down sidewalks as another Hunt Realty sign finds an empty storefront. Both experiences sear through me in different ways, both eliciting intense feelings usually reserved for personal hardships. But that tightening cringe in my stomach—whether from excitement or resentment—proves I care. It’s undeniable evidence of an intense and, at times, exhausting personal connection. And it’s a multi-faceted emotional connection that’s injected a voice, passion and literary purpose into every Buffalo-set item I’ve ever scribbled.
And maybe that’s why I moved back here last year. Maybe I grew tired of disrespecting this connection, of treating it with distance when it’s actually truly special. Maybe I got sick of not contributing to the place whose avenues, buildings and barflies have given me chapters of narrative inspiration. Or maybe I’ve simply grown weary of writing essays, columns and novels about the only home I’d ever claim, all while keeping it four hundred miles away.
Whatever the reason, one thing is certain: I’m back, living and writing in the Queen City of the Lakes. Our winters are cold, but our summers are gorgeous. Our local economy’s inconsistent, but our neighborhoods are varied and vibrant. All our streets aren’t ripe with jewels, but many of them feel like mine. If you need me, I’ll be here.
This is my home.
(Author's note #2: This entry was posted while listening to "Vagabond Moon" by Willie Nile.)
I saw the streets all ripe with jewels
Balconies and the laundry lines
They tried to make me welcome there
But their streets did not feel like mine
So long, I’m goin’, goin’ home
-Dan Auerbach, “Goin’ Home”
One’s connection to home can be like one’s connection to family. At its best, home is a wonderful thing. It is the one place that feels like yours, the place you’re truly attached to. At its worst, home is a suffocating beast, full of frustration and timeless annoyances. I somehow overlooked the enduring duality of this relationship while living elsewhere. Now back on my hometown streets of Buffalo, New York as a returned resident, I’m surrounded by the daily complications of this association.
Buffalo has been both haven and harrowing for most of my life. It’s the city that hosted my birth, my Christmas mornings and high school basketball games. It gave me friends I’ve kept since preschool, girls I kissed in elementary school. It instilled the competitive grit I’ve used to tough through professional obstacles and rejection. And it infected me with the underdog mentality that western New Yorkers are born with. Every Buffalo kid grows up with a chip on the shoulder, earned from condescending New York City scowls and southern state insults—the ones about snow and rust, urban blight and Super Bowl losses. I’m from a city that no one understands, compliments or respects. This has bred intense loyalty, one that’s ignited arguments with ignorant strangers and Florida waiters. It’s been an inconvenient loyalty, but it’s always been considered necessary. This is my hometown, to defend and support. In good times and bad.
Unfortunately, the whole defend-and-support thing isn’t always reciprocal. Home can agitate, frustrate and torment. It can be like a Springsteen song, but not in a good way. No matter how your beliefs, attitudes and aptitudes have progressed, home drags behind. No matter how many positive memories you’ve generated away from it, home can rekindle the painful moments you’ve forever tried to shake. No matter how many out-of-town successes you’ve experienced, home can preserve your failures for family dinners, Friday night socials and supermarket reunions. Buffalo is where my mother wants me to become a teacher, where my father thinks I should become a salesman. And it will forever be where my high school English teacher said, if he had one piece of advice for me, it was to never pursue a career in English.
But it will also remain the chief source of my artistic inspiration, just as it has for my entire writing life.
I lived in Boston for eleven years; I worked inside Manhattan’s Rockefeller Center for a summer. I once fell asleep in Spain and woke up in France. I’ve been to Ireland twice, Italy, Iceland and Scotland once, and to nearly every major American city for more than a weekend. I’ve never felt compelled to write about those places the way I do about Buffalo. It’s forever been an underutilized backdrop, full of faded glory amid glimmers of progress and waterfront panoramas; it’s loaded with complex characters striving for genuine salvation in the shadows of economic stall. Its story has surrounded my own story, and continues to affect me with its successes and failures. Some days, I smile at nineteenth-century buildings being refurbished by flanneled laborers; other days, I seethe down sidewalks as another Hunt Realty sign finds an empty storefront. Both experiences sear through me in different ways, both eliciting intense feelings usually reserved for personal hardships. But that tightening cringe in my stomach—whether from excitement or resentment—proves I care. It’s undeniable evidence of an intense and, at times, exhausting personal connection. And it’s a multi-faceted emotional connection that’s injected a voice, passion and literary purpose into every Buffalo-set item I’ve ever scribbled.
And maybe that’s why I moved back here last year. Maybe I grew tired of disrespecting this connection, of treating it with distance when it’s actually truly special. Maybe I got sick of not contributing to the place whose avenues, buildings and barflies have given me chapters of narrative inspiration. Or maybe I’ve simply grown weary of writing essays, columns and novels about the only home I’d ever claim, all while keeping it four hundred miles away.
Whatever the reason, one thing is certain: I’m back, living and writing in the Queen City of the Lakes. Our winters are cold, but our summers are gorgeous. Our local economy’s inconsistent, but our neighborhoods are varied and vibrant. All our streets aren’t ripe with jewels, but many of them feel like mine. If you need me, I’ll be here.
This is my home.
(Author's note #2: This entry was posted while listening to "Vagabond Moon" by Willie Nile.)
Friday, October 30, 2015
"When the Lights Go Out" due out on November 10
After six long years of writing, editing, re-writing, screaming, drinking, and thinking, I'm proud to say that my second novel, When the Lights Go Out, is finally ready for release by No Frills/Amelia on November 10. Here's the press release, distributed to the Buffalo media on October 30:
A barroom guitarist strumming between two lives. A faded bluesman drunk on his own legend. A rock pianist who responds to a higher calling. These compelling characters clash to drive the drama of author Michael Farrell’s second Buffalo-set novel, “When the Lights Go Out,” set for release by No Frills Buffalo on Nov. 10.
Farrell — whose debut novel “Running with Buffalo” was released in 2007 — returns to introduce readers to local musician Johnny “Nighthawk” Nolan, a downtown Buffalo favorite who spent his evenings exhaling covers and originals, all while basking in the adulation of devoted revelers. To Nolan, those nights under the lights meant everything — until he needed to walk away.
But what happens to a musician when his life strays from the stage? Does he settle into his marriage to a barroom waitress? Does he try to smooth past friction with the city’s most prominent bluesman? Or does he lean on the scene’s only garage band-leading Catholic priest to find his voice with or without the microphone? Throughout his journey from rock clubs to familial crisis and rediscovery of music’s revelatory meaning, Nolan will find out how life unfolds — when the lights go out.
Born in Buffalo and raised in Hamburg, Farrell is a graduate of St. Bonaventure University and earned an MFA in Creative Writing from Pine Manor College’s Solstice Program. His work has regularly appeared in numerous publications, including The Buffalo News, Buffalo Spree and The Boston Herald. More about Farrell and his writing can be found on his website at farrellstreet.com.
Books published by No Frills Buffalo can be purchased online at www.amazon.com, www.powells.com, www.barnesandnoble.com, www.ECKO.com and www.nofrillsbuffalo.com. No Frills Buffalo titles can also be found in Western New York bookstores, including Talking Leaves; Dog Ears Bookstore; The Second Reader; Monkey See, Monkey Do; Lift Bridge Books in Brockport; and Buffalo Street Books in Ithaca.
Wednesday, May 13, 2015
Spending time off Farrell Street--and still alive
Note: To the four or five ADD-addled surfers who either check or happen upon this blog from time to time, you’ve probably noticed I haven’t been posting a whole lot of work lately (aside from last year's The Mark of St. Mary).
Have I stopped writing? No; quite the opposite. I’ve thankfully been freelancing for a variety of Buffalo publications over the past three years, which has cut into my introspective blog time. I also put out a new, semi-refined copy of my first novel (Running with Buffalo) with No Frills/Amelia Press, and have spent any other writing time working on the 94th edit of my second novel, When the Lights Go Out (now available). This offering is getting closer and closer to seeing the light of day, so stay tuned for details.
So, translation? I’ve been busy. The good news is that, if you are interested in finding anything with my byline—and you refuse to pick up paper copies of either The Buffalo News, Buffalo Spree or WNY Craft Beer Magazine—there are plenty of links on the Interwebs to explore.
And if you need to get hold of me? Email farrellstreet@gmail.com.
And if you need to get hold of me? Email farrellstreet@gmail.com.
I’ll be back to regularly posting on this site sooner than later. Until then, scroll (and click) below to see what I’ve been doing with myself, look for more of my work on a browser near you, and stay tuned for more.
Buffalo News reviews
Bars
Washington Square
One beer. One bar.
Allen Burger Venture (ABV)
Armor Inn Tap Room
Becker Brewing Co.
Brick Oven Bistro
Deep South Taco
Del's Tavern
Eddie Brady's
GBGB
The Irish Times
J.P. Fitzgerald's
Liberty Hound
Lloyd Taco Factory
Mammoser's
Mr. Goodbar
Parkside Meadow
Public House on the Lake
Pizza Plant
R&L Lounge
Wanakah Grill
Music/Comedy
One beer. One bar.
Allen Burger Venture (ABV)
Armor Inn Tap Room
Becker Brewing Co.
Brick Oven Bistro
Deep South Taco
Del's Tavern
Eddie Brady's
GBGB
The Irish Times
J.P. Fitzgerald's
Liberty Hound
Lloyd Taco Factory
Mammoser's
Mr. Goodbar
Parkside Meadow
Public House on the Lake
Pizza Plant
R&L Lounge
Wanakah Grill
Music/Comedy
American Idiot (play)
The Arcs
Arctic Monkeys, White Denim
Arkells
Band of Horses
Blitzen Trapper
Boyz II Men
Jackson Browne
The Arcs
Arctic Monkeys, White Denim
Arkells
Band of Horses
Blitzen Trapper
Boyz II Men
Jackson Browne
Monster Truck
Music is Art
Willie Nelson
Alan Parsons Project
Tom Petty & the Heartbreakers
Grace Potter
Music is Art
Willie Nelson
Alan Parsons Project
Tom Petty & the Heartbreakers
Grace Potter
SUNY at Buffalo Springfest
Tedeschi Trucks Band
Trans-Siberian Orchestra
Hank Williams III
The case for: Coldplay
The case for: Counting Crows, Rob Thomas
The case for: Gwar
The case for: Kerfuffle 2016
Tedeschi Trucks Band
Trans-Siberian Orchestra
Hank Williams III
The case for: Coldplay
The case for: Counting Crows, Rob Thomas
The case for: Gwar
The case for: Kerfuffle 2016
Gusto's Farrell Four
Ian McFeron, Spirit of the West
The Observers, Glass Tiger
Black Star Riders, Driftwood
Texas in July, Willie May
Funktional Flow, Jony James Band
A Band Named Sue, Sauce Boss
Crikwater, World's Fair
Ozric Tentacles, Primus
The Royal Halls, Chuck Mead
Bobo, Survivor
The Tins, Turnpike Troubadours
Mac DeMarco, AJ Woods
Matthew Good, The Traditional
Time Giant, Michael King Project
Our Lady Peace, The Spin Wires
Bad Suns, Kurt and The Loders
Suzanne Vega, Buffalo Killers
Daydream Chronicles, Blue Ribbon Bastards
Arkells, MXPX
Conehead Buddha, Tugboat
Laura Stevenson, Aqueous
Pianos Become the Teeth, Applennium
Sloan, Imperial Brown
St. Patrick's Day weekend
English Beat, Sheila Divine
Tough Old Bird, Jim Lauderdale
The Naturalists, Whiskey Charmers
The Early November, Sugar Blue
Will Hoge, Head North
Imperial Brown, Pattern is Movement
Johnny Revolting, Frances Black
Travel
The Observers, Glass Tiger
Black Star Riders, Driftwood
Texas in July, Willie May
Funktional Flow, Jony James Band
A Band Named Sue, Sauce Boss
Crikwater, World's Fair
Ozric Tentacles, Primus
The Royal Halls, Chuck Mead
Bobo, Survivor
The Tins, Turnpike Troubadours
Mac DeMarco, AJ Woods
Matthew Good, The Traditional
Time Giant, Michael King Project
Our Lady Peace, The Spin Wires
Bad Suns, Kurt and The Loders
Suzanne Vega, Buffalo Killers
Daydream Chronicles, Blue Ribbon Bastards
Arkells, MXPX
Conehead Buddha, Tugboat
Laura Stevenson, Aqueous
Pianos Become the Teeth, Applennium
Sloan, Imperial Brown
St. Patrick's Day weekend
English Beat, Sheila Divine
Tough Old Bird, Jim Lauderdale
The Naturalists, Whiskey Charmers
The Early November, Sugar Blue
Will Hoge, Head North
Imperial Brown, Pattern is Movement
Johnny Revolting, Frances Black
Travel
A winter taste of Iceland’s lager liberty
The sound of Scotland
Misc.
A rockin' New Year's Eve
Buffalo's newest bar district
Keeping the Irish in Buffalo's St. Patrick's Day
Queen City crusaders
2015 summer playlist
Buffalo's summer shows--by the decade
Alternative Buffalo parties for two
Beers with the Bills: Buffalo's best football bars
Reaching across New York State for five fall beers
Buffalo's holiday traditions
Davey O. and friends sing for the Food Bank
Kerfuffle boasts stellar lineup for Christmas show
A South Buffalo pub crawl
BN Interview: David Gray
BN Interview: Jess Collins of Orations
BN Interview: Max Kerman of Arkells
BN Interview: Zak Ward of Son of the Sun
BN Interview: Tyler Westcott of Folkfaces
BN Interview: Tough Old Bird
BN Interview: Sara Elizabeth
BN Interview: Casey Mullaney of Tugboat
BN Interview: Chris Malachowski of Wolf Tickets
BN Interview: Tommy Z
BN Interview: Sharon Mok of Tiny Rhymes
BN Interview: Neko Case
BN Interview: The Sadies
BN Interview: The Spin Wires
BN Interview: Crikwater
BN Interview: The Steam Donkeys
BN Interview: Ron Hawkins
BN Interview: Sam Roberts
The case for: Oinktoberfest
The case for: the Buffalo Irish Festival
Coffee and concerts at Daily Planet
Celebrate fall beers (national)
Celebrate fall beers (Buffalo)
Buffalo Spree features
The sound of Scotland
Misc.
A rockin' New Year's Eve
Buffalo's newest bar district
Keeping the Irish in Buffalo's St. Patrick's Day
Queen City crusaders
2015 summer playlist
Buffalo's summer shows--by the decade
Alternative Buffalo parties for two
Beers with the Bills: Buffalo's best football bars
Reaching across New York State for five fall beers
Buffalo's holiday traditions
Davey O. and friends sing for the Food Bank
Kerfuffle boasts stellar lineup for Christmas show
A South Buffalo pub crawl
BN Interview: David Gray
BN Interview: Jess Collins of Orations
BN Interview: Max Kerman of Arkells
BN Interview: Zak Ward of Son of the Sun
BN Interview: Tyler Westcott of Folkfaces
BN Interview: Tough Old Bird
BN Interview: Sara Elizabeth
BN Interview: Casey Mullaney of Tugboat
BN Interview: Chris Malachowski of Wolf Tickets
BN Interview: Tommy Z
BN Interview: Sharon Mok of Tiny Rhymes
BN Interview: Neko Case
BN Interview: The Sadies
BN Interview: The Spin Wires
BN Interview: Crikwater
BN Interview: The Steam Donkeys
BN Interview: Ron Hawkins
BN Interview: Sam Roberts
The case for: Oinktoberfest
The case for: the Buffalo Irish Festival
Coffee and concerts at Daily Planet
Celebrate fall beers (national)
Celebrate fall beers (Buffalo)
Buffalo Spree features
Write about Buffalo
Toying with Liku Gao
Game On: The Buffalo Fenians
Paying homage to Buffalo's baseball opus
Lounges, pubs and dives: Buffalo
Toying with Liku Gao
Game On: The Buffalo Fenians
Paying homage to Buffalo's baseball opus
Lounges, pubs and dives: Buffalo
Buffalo Business First reviews/features
Block Club: Issue 33
A tale of two cities
WNY Craft Beer Magazine
Buy me some peanuts--and pints
Toasting Bills history with a taste of fall
A cozy craftmosphere: Dinner and beers at the Pizza Plant
Toasting Sabres history with a taste of winter
R.I.P., Sterling Place
Rock and Dopplebock at Mr. Goodbar
Brick Oven Bistro breaks down S. Buffalo's craft beer barriers
Toasting Braves history with a taste of spring
Toasting live songs with a taste of summer
The art of Allen Street Hardware
Ballyhoo links creativity and comfort
Bands, brews and BBQ at the Armor Inn
WNY Craft Beer Magazine
Buy me some peanuts--and pints
Toasting Bills history with a taste of fall
A cozy craftmosphere: Dinner and beers at the Pizza Plant
Toasting Sabres history with a taste of winter
R.I.P., Sterling Place
Rock and Dopplebock at Mr. Goodbar
Brick Oven Bistro breaks down S. Buffalo's craft beer barriers
Toasting Braves history with a taste of spring
Toasting live songs with a taste of summer
The art of Allen Street Hardware
Ballyhoo links creativity and comfort
Bands, brews and BBQ at the Armor Inn
(Author's note: This post and list were updated while listening to "Like A River" by My Morning Jacket.)
Friday, January 17, 2014
The Mark of St. Mary
Elementary school leaves a mark on all of us.
Whether public or private, both handled us at our most
formative, when everything crackling around us could influence our foundation
and plant the seeds for who we’d become. Within their walls, we garnered
maximum attention while finding out what we liked, what we didn’t like, and
what we were good at. These types of revelations put our lives in motion.
But when I say that my elementary school left a mark on me,
I don’t mean it in only the aforementioned figurative sense. I mean it literally,
like in an “I have two jagged marks on my head from accidents that occurred
within my elementary school” way. I fell from hanging off a stairwell for one,
and sustained another by diving through a fire exit to save a loose basketball
in a tournament game. Both intelligent decisions earned scars that have endured
for decades—much like the rest of my memories inside Hamburg, New York’s St.
Mary of the Lake.
That’s why this past Wednesday was so hard. When the
Catholic Diocese of Buffalo elects to close the place that raised you, the
place that filled nearly every pre-teen year of your life with the substance
you retell and recall for the rest of your life, it hurts. It cuts. It digs in,
jerks and leaves a painful mark.
I attended St. Mary from 1982 to 1992, preschool through
eighth grade. I walked to school until I was nine years old, took a bus when my
family moved a whole four blocks further away. I arrived every school day in a white
shirt, navy blue tie and matching blue slacks. In my early years, I teamed the
uniform with Michael Jackson-esque black loafers and whatever utilitarian coat
my parents laid out for me. In my later years, I went to school in bluchers and
a white Boston Celtics Starter jacket, earned via an afterschool trade. In both
instances, eventual choices were foretold: I’d gravitate toward a professional
existence that didn’t require me to
wear a tie or loafers, and I’d eventually move to Boston and follow the Celtics
in person.
But St. Mary was more than a soothsayer for eventual professions
or pro sports allegiances. It was more than your popular Catholic school
imagery, one full of scared children adhering to the rules of priests, nuns and
upstart teachers, all while donning matching shirts and blouses under classroom
crucifixes. It was a place where hardware store washers acted as milk tokens,
where red and blue poker chips acted as school-issued currency for pizza (red)
and hamburgers (blue). It hosted my first right-cross, my first girlfriend and
my first Bobby Brown-serenaded slow dance—one in which a nun approached
too-close partners and asked that they “leave room for the Holy Spirit.” It was
the backdrop for massive Niagara Candy sales, Campbell Soup label computer
sales and “butt-surfing” hallway races, ones that would end with three boys in
blues sliding ass-first over a marble finish line while teachers’ classroom
doors were closed.
Most of all, it was place for people, influential ones who’d
form the foundation of my existence.
Small classes hosted students I befriended at four years old
and, somehow, still remain connected to. Over the last 20 years, I’ve seen them
at bars, grocery stores and Bills games. We’ve vacationed together, moved away
from Buffalo together and shared in professional success together. And, when I
married in 2010, three kindergarten classmates were in my wedding party. No
matter the time or distance apart, there’s an unmistakable bond that bands not
only my close St. Mary friends, but anyone who walked those halls together. Anyone
who was forced to read Johnny Tremain
in the sixth grade or slice a frog open in the seventh grade. Anyone who was
told by our school librarian to be quiet because “the books are sleeping.” It
all happened within the confines of that Catholic school, and it had a lasting
effect on all of us.
When these moments were seeping into our days, we were
flanked by teachers who lorded over a captive audience of children in need of challenges.
I had teachers I was afraid of at St. Mary—physically. Some packed glares and
statures that made me petrified to blow off homework. Others had voices so
frightening they’d follow me home and haunt my dreams. But, on the other side
of this fear was a fear of not performing, of not knuckling down and executing.
I saw these teachers within the same classroom, all day, every day. They wanted
me to succeed, and I didn’t want to disappoint them. This healthy fear of
failure instilled a discipline in me, just as it did with others who were
frightened of—or hell-bent on pleasing—these teachers. Today, this work ethic
fuels everything I do, just as it does with other St. Mary alums working as
teachers, activists, lawyers, doctors, advertising salesmen and financial
advisors.
As complicated events crept into our developing lives, the
school preached faith, support and the power of prayer to help deal with unexplainable,
unfortunate or unmanageable events. In 1986, I sat in a St. Mary classroom and
watched the Challenger unexpectedly explode on live television. A few years
later, I walked through the school’s front doors to find out our hallways and
classrooms had been vandalized by local teenagers, forcing temporary closure.
And, when a fellow student’s mother, father or grandparent unexpectedly passed
away, I joined the rest of the school in processing across our parking lot to
pray for families at morning Mass. It was support through faith and unity, two
things that’ve proved rare as I’ve aged through more complicated problems. But
in those St. Mary halls, they weren’t at a premium. They were the norm.
Outside of our classes and emotional maturation, we were
guided through track meets, baseball games and basketball tournaments. For
some, these are the most vivid St. Mary memories. Stacks of multicolored
ribbons from the standing long jump or 50-yard dash. Late-summer batting
practices at Hamburg Little League. Winter basketball practices inside that
drafty gymnasium, where a burst of arctic Lake Erie air would whip through the
joint every time someone cranked open its heavy steel-encased door.
Basketball was my first love, and I found it at St. Mary. As
I sit here typing this, I can recall every inch of the gym as it looked in
1992. I can picture the lanes, the backboards and sliding wooden doors that
separated the court from the school cafeteria. I remember where the storage
room was and, if you needed to find a basketball, how the weekend janitor used
to stash a loose one behind racks of bingo chairs. That gym was a second home
to me, just like it was for countless other Lakers. It gave us somewhere to go,
somewhere to grow. Now adults, many of us think of that room when we remember
our childhood, what was good about it, and how we’d like our own children to
experience such a connection with such a place.
And maybe that’s why St. Mary’s upcoming closure has
affected long-departed alums like me. Its shuttering not only alters definitive
chapters of my life, but is yet another reminder that my childhood will never
be replicated by my eventual children.
They’ll never have the chance to grow within the same
familial, nurturing environment as I did. They’ll never walk the same sallow
halls, play defense on the same court or find themselves unexplainably attached
to a school and its namesake. This is sad, and as more and more of these
Catholic institutions fall to consolidation or outright closure, these types of
blogged goodbyes will become a rite of passage for legions of devastated
students and nostalgic adults. If these testimonials continue to come flowing
forward in hail of intricate details and superlatives, maybe the people making
these decisions might think more considerably about what they’re taking away
from a community. They’re not only taking away a building or classrooms or
teachers. They’re eradicating a way of life that’s formed generations.
This is the influence of St. Mary of the Lake. It’s left an
indelible impact on all of us who were lucky enough to call it home and, when its
doors close, that bond will remain. That’s the mark of St. Mary.
Wear it with pride—and let it endure for decades.
Monday, October 7, 2013
No Frills to release “Running with Buffalo” by Michael Farrell
(Note: This is the press release sent out by publisher No Frills Buffalo last week. Follow the noted links with any questions or concerns.)
The thrill of post-college possibilities. The loyalty of childhood friendship. The pain of necessary transitions, and unexpected answers that could ease a life of uncertainty. These are some of the elements explored in Michael Farrell’s first novel, Running with Buffalo, set for release by No Frills Buffalo.
The Buffalo-set story’s narrative is delivered by Joseph Cahan, a 2001 college graduate who wants to thrive aside his Irish family and life-long friends who live for football, stout and Fender solos. Full of expectations and idealism fueled by rock music lyrics, Joseph’s goal in life is to become a writer who documents the hilarious and exciting adventures of his post-college life. But, in the months that follow his graduation, dooming complacency, lack of professional opportunity and lingering love alter his path. Delivered as a humorous and heartfelt testimonial about life's fearsome complexities, unanticipated changes, and the simple truths that could quell the intensity of it all, Running with Buffalo is about the uneven search to find a place to call home—and the simple answers that could sooth the journey.
Born in Buffalo and raised in Hamburg, author Michael Farrell graduated from Frontier High School and St. Bonaventure University before earning an MFA in Creative Writing from Massachusetts-located Pine Manor College’s Solstice Program in 2010. His work has appeared in the Buffalo News, Buffalo Spree Magazine, Buffalo Rising, Business First, Block Club Magazine and the Boston Herald, where he worked as a reporter from 2004 to 2011. He now serves as an adjunct English and communication arts professor at SUNY Erie Community College in Buffalo, and can be found on his website at www.farrellstreet.com.
Books published by No Frills Buffalo can be purchased online at www.amazon.com, www.powells.com, www.barnesandnoble.com, www.ECKO.com and www.nofrillsbuffalo.com. No Frills Buffalo titles can also be found in Western New York bookstores, including Talking Leaves; Dog Ears Bookstore; The Second Reader; Monkey See, Monkey Do; Lift Bridge Books in Brockport; and Buffalo Street Books in Ithaca.
No Frills Buffalo is currently accepting submissions from writers interested in being published. For more information, please visit www.nofrillsbuffalo.com or email submissions@nofrillsbuffalo. com. You can also follow No Frills Buffalo on Facebook at www.facebook.com/ NoFrillsBuffalo?ref=ts&fref=ts for frequent updates.
Subscribe to:
Posts (Atom)





.jpg)